1984 Yamaha PS-6100 Vintage FM Synthesizer & PCM Drum Machine The Who Pete Townshend DX7

Works good except main volume is a fixed level and is not effected by slider. You can use the volume sliders in the individual sections to adjust levels. Missing two slider caps. Front is bent. Corner is damaged. Includes power cord.
Features: - Crisp PCM drum sounds - FM keyboard sounds similar to DX7 - 64 rhythm patterns (32 x 2 variations) - 256 fill in patterns (64 rhythms x 4 variations) - Break button silences drums for remainder of measure
- 21 PCM programmable percussion and drum sounds/samples plus accent - 6 lower orchestra voices with sustain option - 18 upper orchestra voices with 3 sustain options - 18 solo voices with sustain and (after) touch response (vibrato or volume depending on the voices selected) options
- Build in music programmer (digital recorder) - Auto accompaniment - You can layer polyphonic and solo (monophonic) voices.
- Built-in stereo speakers - Control panel folds down for protection and easier transport - Transposer dial (-5 or +6 half steps) - Built in music rest - MIDI in and out - Tuning knob on back
- 1/8" foot switch input jack - RCA expression pedal input - RCA Aux input jack - Left and right RCA audio output jacks - 1/4" stereo headphones output jack on front left side
- 1/8" tape load (in) and save (out) jacks
The good: - All functions work including aftertouch across the whole keybed and MIDI.

The bad: - Overall volume is at fixed and is not effected by the main volume slider. You can still adjust the volume for each section using those volume sliders.

The ugly: - Front door is dented. - Keys are scratched.

Pete Townshend (of The Who) used the Yamaha PS-6100 as the backing track for his song "Hiding Out" on his White City album (1985) as well as the demos for "Crashing By Design" and "After The Fire". "Hiding Out" uses Reggae (variation) preset rhythm, automatic bass and (probably) its pan flute sounds.