KEYBOARD IS IN PERFECT WORKING ORDER
Polytouch™ 49 note polyphonic aftertouch keybed The
HYDRASYNTH keyboard is both a sound designers dream synth as well as a
performing musicians ideal. The sound engine is designed for maximum
flexibility. At the same time, we designed the user interface in a way
to allow you to edit the patch quickly with a minimal amount of paging
and many workflow shortcuts.
Utilizing
an advanced wavetable synthesis engine, 3 Oscillators, dual Wave
Mutators and 2 filters that can be configured in series or parallel, the
tone generating capabilities are unmatched.
As
for the performance capabilities, The HYDRASYNTH keyboard has our
proprietary Polytouch™ keybed that offers polyphonic aftertouch over
each note, giving you the type of expressive control found only in
certain vintage synths.
Add
to this a 4 octave ribbon controller and ergonomically designed pitch
and mod wheels and you have expression and control that is not equaled
in any other hardware synthesizer on the market… Today or ever.
Polytouch™ keybed
The
new ASM Polytouch® keybed allows not only the standard velocity and
aftertouch found on other keybeds but we support fully polyphonic
aftertouch.
In
recent years companies have been trying to find ways to give the
keyboard musician more ways to better express themselves. The problem is
that their solution is almost never a keyboard, so you have to learn a
new technique to play them.
The Polytouch™ keybed features a high quality, standard sized keys, so you can start playing it instantly.
Oscillators
The tone generation capability is the heart of any synthesizer.
The 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.
Wavemorphing
is a feature usually found on synths with preset wave tables. Creating
user wavetables is arduous or downright impossible. Unlike most
wavetable synths, our oscillators 1 & 2 have our WAVELIST mode.
This
mode allows you to pick and choose 8 waves, from our bank of
219, arrange them in the order you want, and then morph from one to
another.
mutators
Oscillators
1 & 2 are routed into our MUTATORS. The Mutators allow you to
modulate, bend and sculpt the sound in new (and old) ways.
Each MUTANT allows you to choose from the following processes:
-
FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.
-
Wavestack™ - creates 5 copies of the incoming sound and allows you to set a detune amount.
-
Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.
-
Pulse Width - This will pulse width modulate ANY input sound.
-
PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.
-
PW-ASM
- this mode divides the incoming wave into 8 slices and allows you to
set how much pulse width mod will happen in each section.
-
Harmonic Sweep - this will sweep the harmonics of the incoming sound.
-
PhazDiff - this takes the input signal, shifts the phase and then creates a difference result with the original signal
The
Mutant's can also generate its own waveforms in both FM and Sync modes
so that you do not have use another oscillator....Of course the routing
is flexible so you can choose the other oscillators as mod sources if
you like.
Mixer/ filter routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.
The Mixer allows you to mix levels as well as pan the input source.
There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2.
The filters can be set to be parallel or series for ultimate flexibility.
filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul.
The Hydrasynth has two filters that can be configured in series or parallel.
The first filter has 16 different filter models, giving you multiple options for tailoring your sound.
The
second filter is a 12db per octave has a continuous sweep from
either low pass > bandpass >high pass or low pass > notch >
high pass, similar to the way the classic SEM filter worked.
LFO's
5 Low-Frequency Oscillators…YES, 5.
Much like our sound engine, the LFO’s are not ordinary by any means.
The
Hydrasynth LFO’s feature a STEP mode that allows you to create patterns
with up to 64 steps. Having 5 mini step sequencers gives you an amazing
amount of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms to choose from.
The
LFO's all have delay, fade in, 3 triggering modes, smoothing, start
phase, one-shot mode so that they can act as envelopes and BPM sync.
envelopes
5 DAHDSR Envelopes……YES 5.
An
advanced sound engine needs plenty of modulation sources. Our 6 stage
envelopes feature Delay, Attack, Hold, Decay, Sustain and Release
stages.
The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in
sync to your song.
You can also loop the envelopes to create LFO’s whose shape can be voltage controlled in the modulation matrix.
The envelopes have the added ability to be triggered from multiple sources as of the 1.5 update.
MODULATION MATRIX
The modulation capabilities on the Hydrasynth are endless.
With
32 user definable modulation routings, you will have plenty of ways to
use the 29 modulation sources and 155 modulation destinations.
Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator.
The Modulation matrix points themselves can also become modulation destinations.
Modulation sources & destinations include the CV Mod In & Out jacks as well as MIDI CC’s
ARPEGGIATOR
The
arpeggiator allows for standard note arpeggiations but also has a
phrase arpeggio built-in. Parameters like RATCHET and CHANCE will
generate other rhythmic patterns with some randomness to add life and
spontaneity to your performance.
You
can also modulate most of the parameters in the arpeggiator so imagine
using LFO’s, Envelopes, Polyphonic Aftertouch or the Ribbon controller
to modify your arpeggios in real time.
CV/GATE - MIDI - USB
There
is the standard MIDI and USB/MIDI interfaces on the synth but we go
deeper and allow the use of CV/GATE interfaces for connecting to the
modular world.
It
supports the standard voltages for Eurorack modulars, the 1.2V per
octave Buchla standard, as well as some of the Japanese Volts>HZ
products. The MOD in and outs allow for modulation from DC to full audio
ranges, expanding your modulation capabilities.
Main Controls
The
Main system controls are where you navigate your patches, configure
system settings and see parameters like the envelopes, waveforms,
filters in the OLED screen.
Init
and Random buttons will allow you to initialize or randomize a complete
patch or specific modules with a press & hold + module select
button.
Pressing the HOME button returns you to navigating patches in a simple and easy way.
master controls
The Master Control section is where all parameter editing, patch naming, and Macro performing is done.
Using
OLED screens, high-resolution encoders with LED rings, and 8 buttons,
this section is designed to give you good feedback on what is going on.
The VOICE parameters give you access to play modes, analog feel, voice panning and many other features.
macros
The patch MACROS are designed to allow the user deep control over the engine in live performance.
The
8 assignable encoders and buttons can each be routed to 8 destinations.
Complete sound transformations can take place with the press of a
button or turn of a knob.
patches
The
Hydrasynth comes with 5 banks of 128 patches in total. We hired some of
the best patch designers around to create the 256 factory patches.
Finding
the patch you want and searching the library is made easy with our
BROWSER. Our PC/MAC based Patch Manager plug-in also allows easy moving
of patches to create your favorite order as well as load in new patch
libraries in the future.
effects
The
effects chain goes beyond the typical ones found in other synths.
Pre-effects and post-effects give you some unique ways to process your
sound.
The delays and reverbs were modeled on some of the most popular effects on the market.
The effects are the perfect way to complete your sound, in the box.